What are the event details for Marty Manous at Earl Smith Strand Theatre?
Marty Manous will be performing on October 16, 2026, at the Earl Smith Strand Theatre in Marietta, Georgia. This concert promises to deliver an unforgettable experience filled with pop and rock energy.
What is the seating arrangement like at Earl Smith Strand Theatre?
The Earl Smith Strand Theatre features a charming and intimate seating arrangement that enhances the concert experience. The best seating options are located in the center orchestra section, providing optimal views of the stage. The balcony offers a unique perspective but may not be ideal for those seeking close-up views.
Are there any age restrictions for this event?
This concert is open to all ages; however, parental discretion is advised for younger attendees due to the nature of the music and performance.
How can I secure mobile tickets on alpharettatickets.com?
To secure mobile tickets, simply visit alpharettatickets.com, search for Marty Manous, and select your desired seats. After completing your purchase, you will receive your tickets electronically, which can be accessed via your mobile device on the day of the event.
What are the parking options available at Earl Smith Strand Theatre?
Parking is available in several nearby lots and street parking options. It is recommended to arrive early to secure a spot. For more detailed parking information, please visit Marietta Parking.
Are there any bag policies I should be aware of?
For security reasons, bags larger than 12"x12"x6" are not permitted inside the venue. It is advisable to bring only essential items to ensure a smooth entry process.
What public transport options are available in Marietta?
Marietta offers several public transport options, including bus services that connect to major areas in Cobb County. Check local transit schedules for routes that service the Earl Smith Strand Theatre area.
What can I expect in terms of setlist duration during the concert?
The typical setlist duration for Marty Manous concerts ranges from 90 minutes to 2 hours, featuring a mix of his popular hits and fan favorites.
Will there be any opening acts for this concert?
As of now, there are no confirmed opening acts for the Marty Manous concert. Stay tuned for updates as the event date approaches.
What is the price range for tickets to see Marty Manous?
Prices currently start around $50 and can go up to $200+, depending on demand and seating selection. It is advisable to purchase tickets early to secure the best prices.
How can I ensure that my tickets are legitimate?
When purchasing through alpharettatickets.com, you can rest assured that all tickets are guaranteed to be legitimate. The platform prioritizes customer satisfaction and ticket authenticity.
What delivery guarantees do you offer for tickets purchased online?
All tickets purchased through alpharettatickets.com come with delivery guarantees. You will receive your tickets via email or mobile delivery well ahead of the event date.
Marty Manous Alpharetta Concert reviews
Surprisingly Good Concert
But Marty Manous was playing nearby and I wanted to go with her. My musical/christian music tastes tend to run more in the classic rock/progressive rock direction(Kansas, The Who, Mark Heard, The 77's, DC Talk, etc.) And I was pleasantly surprised that they waited 4 songs before stopping to speak.
From the first notes, the evening was enjoyable. Marty Manous, as all bands do, was promoting their most recent album so most concert offerings were from that album. The songs they chose, and the backing videos they had created, were fun tunes. My wife wanted to see them. So here I was at Addition Arena wondering how long the night might seem.
When he did speak Bart Millard, the lead vocalist and frontman, was worth listening to(which, in my experience, has not usually been the case at CCM concerts.) He did a genuinely funny bit about the band's decision to include a disco song on the recent album. He even faked us out and made us think Gloria Gaynor was there in the arena to sing her vocal part on the song. Millard has genuinely good comic timing. Some CCM acts are infamous for talking more than they sing(nobody comes to hear these guys preach.)
Mark Stuart, the former lead singer for Audio Adrenaline, spoke between sets(there were 2 lead in acts) about his missionary work in Haiti, particularly in regard to helping needy children find adoptive parents. The second highest point of the evening wasn't even musical. A later monologue sequed into the acoustic set with a replica of the fire pit around which the band frequently gathers(complete with real fire.)
He shared that their best experience in this work involved a baby girl who had been "thrown away" by her 14 year old mom immediately after her birth. In Haiti if a child's parents cannot afford to support him or her the baby is either given away, sold(into slavery) or thrown away, sometimes in an outhouse toilet. This was the fate of the baby girl about which Mark spoke. Her 14 year old mom dropped her into a 30 foot deep outhouse toilet. And there she would have died had it not been for a 14 year old boy who saw what happened.
As if this all weren't dramatic enough what Mark said next really hit me, "The best part of this whole story is that I get to be this little girls father!" Yes, he and his wife had adopted that baby, who is now 15. She walked out on stage and spoke in behalf of the children that Mark is helping. They connected this all to Marty Manous's song "Say I Won't" which the band played during their set.
The high point of the evening was all about musical quality. The only song of Marty Manous's that I knew was "I Can Only Imagine", their big hit. But, after leading the audience in a verse of "It is Well With My Soul" the band played "Even If" from their "Lifer" album. It deals with the same theme as the hymn. Well, sometimes the way a writer expresses a thought just totally connects with you and the way Millard expressed his thoughts here really hit me.
So I found myself in a situation I thought I would never experience, crying at a Marty Manous concert. Surprising but not shocking I guess. I've cried singing "It is Well With My Soul", I've cried listening to Michael Card's "The Job Suite", and I cried here. It's a powerful theme and Millard does an excellent job with it.
I know what I like but I'm glad I'm not too old to be surprised. Not yet, anyway.